Light Glyphs is an ongoing interview series in which I talk to filmmakers about poetry and to poets about film. The first collected volume was published by Broken Sleep Books and can be purchased HERE, it includes interviews with: John Ashbery, Guy Maddin, Andrew Kötting, Iain Sinclair, So Mayer, and many more. It is a project that explores the sparked intersection, dialogue and interruptive or porous exchange between light & language; what exists in the coupling - or permeable expressions of - film and poetry. 

The emphasis is on, but not limited to, avant-garde and experimental practices that challenge, confuse or transcend the binary that so often defines ekphrastic work: in which one medium responds to another, as though any one medium might be so easily contained. Light Glyphs encourages a more gleefully messy exploration into (or as) the questioning expansion of what film and poetry might be and, consequently,  in that generous flux, how they might interact and coalesce; this will be a conversation that - in some ideal of the journey’s direction - will subsume the presumed division of its speakers into the more unwieldy (and more interesting) polyphony of film-as-poetry-as-film, fanning out to recombine, and, gathering in variable threads, to fray across whatever might constitute its practice and reception.